And that the ensemble are throwing themselves completely into this story, so that everything – as Cranko wanted it – feels sensuous, without artistry, close to life, to a large extent is to thank to Robertas Servenikas. Under the baton of the Lithuanian conductor, who was often praised, Prokofiev can be experienced with his many colors, nuances and stories, even with closed eyes: the courtly splendour, the tension of the family strife, the lyrical gentleness of this young tragic love. And always fine transitions. The state orchestra can also do ballet! 09.11.2016,  Malve Gradinger      Münchner Mercure